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Sir Edward Denham is in type a Mr Elliot: I found it an ambiguous feel was given this simple characterization when the same actor played both the good man Sidney and the bad one Denham: The choices for doubling are effective: She was brilliant, vivacious, half-mad and well-meaning all at once.
Rickey Kettly-Prentice is too thin for Arthur, but otherwise utterly convincing as this falsely hypochondriacal young man who finds he does not have to work for a living.
Wentworth Miller & Luke McFarlane
Brindle has her tell a story to Charlotte and Clara that reminds me of the story of in the anonymous epistolary novel, The Woman of Color. Felicity is the daughter of a slave-mistress of her father, both badly treated by the man, with strong suggestions that she was sexually abused by Lamb at age nine.
He loses all his relatives but Felicity, and ends up semi-dependent on her while she is there, and sends her to England in order in effect to buy a white husband in order to to produce whiter grandchildren for himself.
In her intense conversation with Clara and Charlotte Bonnie Adair as Felicity seethes with anger and hurt and shows no disposition to marry anyone; she wants independence and liberty and the play ends without her having engaged herself to anyone.
Lucy-Jane Quinlan speaks with a cockney accent throughout and is given a sort Dickensian deprived background, which is poignant. Susan is continually using a handkerchief, writhing quietly; Daisy is kept busy. Otherwise how have a happy ending for Clara. This is a play and production which does not turn Austen into complacent romance or uncritical social comedy.
She does not seem at all your moralizing exemplary heroine, just someone as she says who has been lucky to have kind if not very rich parents. Set amongst the Machiavellian machinations of New York City power politics and finance, Billions weaves a complex, intricate narrative featuring a high-stakes game of predator-versus-prey.
Mercy Street, 10 p. ET CW In the yearthe immortal villain Vandal Savage Casper Crump is on the verge of his final victory—total chaos and the utter destruction of humanity. As the world crumbles, the Time Master Rip Hunter Arthur Darvill takes matters into his own hands; he travels years into the past to assemble a carefully selected team of heroes and rogues, who together will be… Legends.
Saddled with financial difficulties, facing an impenetrable language barrier, he moves back home to Bakersfield with high hopes. London Spy, 11 p. ET BBC America London Spy begins with a chance romance between two people from two very different walks of life—one from the high-powered ranks of investment banking and the other from a world of clubbing and youthful excess.
But their love story quickly unravels when the reclusive banker disappears under suspicious circumstances, exposing his real identity as a spy and forcing his lover down a dark path to reveal the truth.
Then continues in its regular time period premiere on Monday, Jan. Lucifer is enjoying his retirement, indulging in a few of his favorite things—wine, women and song—when a beautiful pop star is brutally murdered outside of Lux. For the first time in roughly 10 billion years, he feels something awaken deep within him as a result of this murder. The very thought disturbs him—as well as his best friend and confidante, Maze Lesley-Ann Brandta fierce demon in the form of a beautiful young woman.
Recovery Road, 9 p. ET Freeform Recovery Road, based on the popular young adult novel by Blake Nelson, focuses on a teenage girl dealing with addiction. Maddie makes the difficult decision to live with other recovering addicts at a sober living facility while facing the daily pressures of teenage life. WGN America Outsiders explores an epic battle as the Farrell Clan, a tight-knit family of renegades who have lived atop the rugged Shay Mountain for more than years, fight to defend their land and their way of life from the town below and anyone who would dare to challenge them.
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