Several dates are given for his invention and he is credited with In fact, the tuning of the Richter harmonicas has varied slightly over There is also a style of harmonica called the Chromatic Single, The Tombo S and and Yamaha SS and SS are examples of this style of harmonica. sound. Japanese Warranty Only. We do our best for you!! [ Other Carrier ]. [ Release Date(yyyy/mm/dd) ]. Expdited EMS. [ Multiple sizes and colors ]. S Chromatic single Harmonica: Harmonicas - withoutyouitsjustnot.us ✓ FREE DELIVERY possible on Tombo Slide Chromatic Harmonica Unica No . Date first listed on Amazon, November 4, . I prefer these slideless chromatic harmonicas over the Suzuki Alto Single and Soprano Single slideless harmonicas.
Tombo Single - Harmonijka Ustna
The Soprano Single has the range of the standard key of C solo system Hohner The Alto single has the range of the C tenor-tuned solo system Hohner On the Suzukis, the note setup is like a piano setup: Hohner also made 9 different slideless chomatics including the slideless bass harps in the past.
Only four are made today, if you include the 2 models of bass harps. The bass harps aren't a part of this discussion.
Tombo S, # and other slideless chromatics.
The Hohner Chromaticaa glissando-type chromatic the note positions are from lowest notes, left to right: This is a blow and draw instrument. It has double holes: It has a wood comb, brass reeds and brass reed plates, metal covers.
The index finger moves the metal slider over the metal mouthpiece. It's a blow only harp with a wood comb, brass reeds and brass reed plates and metal covers.
It's designed for use with choral groups, but you can easily remove the slider for use as a slideless chromatic. In the past, from the s to around the early s, Hohner made more Chromatica series slideless chromatics, all with wood combs, metal covers and brass reeds and brass reed plates. The Chromatica glissando-type harp had a range of A-A, almost 3 octaves highest octave ended on G.
It was an octave-tuned slideless chrom. The two vertical holes were tuned an octave apart, to add volume. It was a blow-only instrument.
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The Hohner Chromatica glissando harp had the same notes and range as thebut it was a single reed per note harp.
Hohner also made a series of two-octave glissando chromatics in the s. They had wood combs, metal covers, brass reeds and brass reed plates. The Polyphonia 5 had a range of a piccolo flute, two octaves, D-D, starting on the D below the treble clef to the D above the treble clef. In traditional music notation, it was written an octave lower than actual pitch. It was a blow-draw harmonica, with duplicate notes in each set of vertical holes.
TOMBO NO.S Chromatic Single Harmonica For Education | eBay
The top row of holes were blow, the bottom row were draw. The Polyphonia 6 glissando chromatic had the range of the clarinet, trumpet, oboe, and was written from the low G below middle C to the G above the treble clef two octaves. Several dates are given for his invention and he is credited with adding draw notes to the harmonica and establishing the familiar tuning system most commonly used on this type of harmonica.
However, solid historical evidence for this is lacking. Draw reeds were being used on aeolinas before the modern harmonica types were invented and the so-called "Richter tuning" was used on diatonic accordions and several other free reed instruments devised in Europe during the s. In fact, the tuning of the Richter harmonicas has varied slightly over the years, although it usually has a pattern that gives repeated triads rooted on the tonic as blow notes and an extended 7th chord rooted on the fifth as the draw notes: In the early s, another layout was developed which repeated the complete major scale in the low, mid and high registers with the idea of being able to play melodies over a wider range, without having accompanying chords built into the instrument.
This later became known as Solo Tuning and is now the most popular arrangement of notes on the chromatic harmonica: Single Harmonica Single harmonicas are quite often used for music education in the Far East, but are not at all well known in the West.Over 50 Dating: Are There Really Any Good Single Men Over 50 Left?
They have square holes in the mouthpiece arranged in groups for each octave, with each hole leading to a chamber that contains a single reed, either blow or draw, with all the reeds mounted on a single reedplate: Usually each group begins with a B and ends with an A, with a slightly thicker vertical divider before the start of the next octave. In the case of the of the instrument pictured above a Suzuki Sthe first hole is a blow G and the second hole a draw A.
Another spacer, then a partial octave B to G. I have never seen examples of this style of harmonica in keys other than C, although I would not be too surprised to learn that they exist. Leo Shi also make some double reed versions of this style of instrument in both tremolo and octave tunings and I believe Yamaha also make a tremolo version the Not surprisingly, these double reed versions use a similar layout with both an upper and lower row of holes: There is also a style of harmonica called the Chromatic Single, which is essentially two diatonic singles built into the same comb, with the lower row giving you the note of the C scale and the upper row giving you the notes of the C scale with a somewhat thicker horizontal divider between the two rows than is found on the tremolo and octave singles.
Suzuki make something they call the Alto Single and the Soprano Single, but these are somewhat different, the notes being arranged after the fashion of a piano keyboard. For more on these instruments, please refer to this page.
It is probably the next most well known type of diatonic harmonica after the Richter System and in some parts of the world it is even more popular than the single reed diatonics. The typical Wiener System harmonica also has square or squarish holes, but they are generally smaller than those found on the Richter harmonicas and they are arranged in two rows along the front of the instrument, the comb being essentially divided horizontally with reedplates both top and bottom, each set of reedplates carrying both blow and draw reeds: Each hole leads to a chamber that contains a single reed, either blow or draw.
The Wiener harmonica is most often a double reed diatonic, which means that during normal play, the mouth covers both rows of holes so that each note is voiced by a pair of reeds. The most popular voicing of these pairs of reeds is the tremolo or musette tuning, where one set of reeds is tuned to concert pitch and the other set is tuned slightly higher.
When the two reeds are sounded together, this creates a wavering vibrato-like sound: Examples of this type of harmonica include the Hohner Echo models, the Weltmeister Wanderer series, Hering Vencedora and Seductora series, Huang Musette and many, many Asian-made harmonicas.
Typically, Western made tremolo harmonicas use tunings similar to those of the Richter harmonicas, although most of the Asian-made instruments use a variation of solo tuning for more details, see this page. As well as tremolo tuning, many Wiener System harmonicas use octave or organ tuning.