St. Augustine Florida Postcards 's Tichnor Bros, Inc Souvenir Florida postacrds Lot of four vintage unused cute baby novelty Tichnor Bros. postcards . Date Palm Grove, Coachella Valley, Southern California · Dawn Motel, Located: Ocean Avenue, Santa Monica, Calif. Greetings from Alabama. Colorful map postcard. Lusterchrome by Tichnor Bros. The back gives the state nickname, population, area, and the date the.
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It would take a number of years before he had presses made to his satisfaction, and many more years for him to perfect the method. While they produced many cards during World War Two, they also aided the war effort by printing many military maps.
Although Curt Teich eventually turned management of the firm over to his son, he remained active in company operations throughout its history. After his death in the family business was sold to Regensteiner Publishers who continued to print cards at the Chicago plant until Afterwards the rights to the company name and processes were sold to the Irish firm John Hinde Ltd.
While the Curt Teich Company is largely known for manufacturing postcards in the United States, a number of their earliest cards in the form of tinted collotypes were contracted out through German printers. They have no letter prefixes or fancy names, just the Curt Teich Company name and logo.
In addition to publishing German printed cards, they produced some tinted halftone cards in Chicago. Those with an R prefix were generally printed as bleeds issued under the C. Those of the same period with an A prefix were issued with with white borders under the C.
It is important to note that the numbering system in combination with prefixes is what designates the year issued and the printing method. The trade names on their cards do not nessesarily carry any specificity. American Art cards were produced as tinted halftones within the A series; they were also produced in offset lithography in the OC series and latter as linens in the H series.
While the production of C. American Art cards dominated these years, they also published a wide variety of card types in various printing methods and styles alongside their more common cards. Aquarelle were made to imitated the look of hand coloring. Printed as a black halftone over a solid fawn tint. Printed as a black halftone over two tints, one neutral and one warm.
Initially issued as tinted halftones for the Panama Pacific International Exposition, this same name continued to be used on other cards including those printed as linens. Printed as a black halftone, often with the extensive use of shading mediums, and then hand colored. Some of these cards were issued under their own trade names. Printed in a black halftone with a blue lithographic overprint in the sky.
These were largely monochromatic cards ranging from pale grey to bluish green issued with and without borders under the C. While some were produced through straight halftone printing, others were produced with shading mediums, which gives them a stylish but stiff appearance.Beirut - Postcards From Italy
This technique was also used on souvenirs and other promotional materials they printed, which are included within this series numbers. After card numbers began with a number corresponding to the last digit of the year it was published in followed by a letter series denoting the decade. They were almost all issued with an H prefix designating a linen card under the CT Colortone name. While most of these cards have borders, some were also issued as bleeds.
A smaller subset of linen cards within the H series was issued under the CT Colorit name. Many of these are advertising cards.
These were issued with a K prefix designating them as modern chrome cards issued under the Curteichcolor name.
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The quality of these cards runs the gamut since it took some time to perfect the technique. After Regensteiner took over the firm in all cards were printed as continental sized chromes issued with the prefix ED.
Curt Teich printed postcards for many other publishers both large and small. Sometimes the name of both firms will appear on the card, and sometimes only the contract publisher. Other prefixes were also used to designate special cards or those printed for especially large contracts.
Around to a series of national view-cards in tinted halftone were printed under the Sexichrome and Octochrome labels that are different from those issued by the American News Co. The name seems to imply they were printed in six and eight different colors but they all appear to be poorly printed in a more limited pallet with little optical blending.
While a large number of different local publishers names can be found on the back of these cards, the name of Curt Teich has also been found.
This would seem to imply that Curt Teich was the probable printer of all these cards.
They were made in Germany. They began publishing postcards at the turn of the 20th century concentrating on artist signed silhouettes, many of which were printed over solid tints. They were also an early publisher of picture postcards.
They had an office for distribution in London, England. Thompson published many early local scenes as monochromatic and tinted collotypes. They also published many fine cards in tinted collotype that were printed in France with very distinctive hand drawn skies. Jack Thwaites was a photographer who came to Alaska in He spent many years traveling the Territory until settling down in Ketchikan in He opened a photo shop there in from which he sold many of his images as real photo postcards.
In he began working with Otto Schallerer on a series of scenic photo books. When Thwaites retired in he sold his business to Schallerer who ran it until its sale in Tibbutt, who operated the Victoria Studios in Hamilton, moved to Auckland with his brother Walter in to open a new studio.
From here they produced local portrait and landscape work that they also published as tinted collotype postcards. Their Opalette Series was one of their more unusual though similar to other real photo cards with oval borders manufactured in England on bromide paper. Some cards were also produced directly for business correspondence such as will call cards.
Their German made cards were manufactured in a variety of techniques. On some cards Edmund L. Tichenor is listed as the publisher but other cards carry nothing more than their logo. They also functioned as a jobber producing postcards for small local publishers. Their view-cards were produced on a national level. Their photochomes went under the trade name Lusterchrome. They also produced an early Tichnor Gloss series in offset lithography that was so heavily retouched they floated somewhere between being artist drawn and being a photograph.
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The company was sold in to Paper Majic. Tyson came back into the picture and bought out Myers, but Tipton bought out Tyson by Tipton set up a new studio under his own name in from which he produced carte de visite and stereo-views in addition to his large format landscape photos.
As postcards came into fashion Tipton began publishing his images as tinted collotype postcards. Tipton is considered the foremost photographer of the Gettysburg battlefield. He came came from a long line of artists dating back to the late 16th century.
Tokuriki worked in two distinct styles, sosaku hanga, a contemporary revival of traditional Japanese techniques and designs, and shin hanga, a woodblock style that incorporated modern Western stylistic elements. Most of his images were produced by the large publishers Uchida and Unsodo, though he did publish some postcards under his own name.
They usually have writing on the back in English for they were oriented toward an American audience as the shin hanga style never became very popular in Japan. Their titles were printed in both English and Japanese as they were oriented toward foreign visitors. This firm later went on to produce photochromes. Topps Chewing Gum, Inc. In they introduced Bazooka Bubble Gum and in they began adding it to packs of trading cards to help encourage sales.
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